Tag Archives: Ralph Lauren

How to save luxury brands (and American capitalism)

screen-shot-2016-09-15-11-10-57-amElizabeth Segran has a nice essay in Fast Company: The Decline Of Premium American Fashion Brands. What Happened, Ralph And Tommy?

As a teen, Segran admired ads by Ralph Lauren and Calvin Klein. That’s over.

Today, at 33, none of these brands interest me. They conjure up images of outlet malls.

The problem is widespread

I’m not the only one who feels that these iconic American brands have lost their luster. Many are on a downward spiral, hit by sluggish sales. Ralph Lauren is facing plunging profits resulting in the shuttering of retail stores. Coach is in a similar boat, having lost significant market share. Michael Kors recently devised a strategy of cutting back on discounts, since markdowns appear to have killed the company’s cachet. Calvin Klein and Tommy Hilfiger, which are owned by the same parent company, have seen decreasing sales in the U.S. market.

Luxury brands are, in short, a mess.

Segran consults several experts and they roll out the probable causes:

Luxury brands:

■ were pushed by Wall Street to grow
■ growth forced offshore manufacture and this created diminished quality
■ searching for larger markets lead to production overruns
■ overruns forced brands into the bargain and outlet channels.
■ finding Ralph Lauren in a discount bin at T.J. Maxx made it seem a little less luxurious

Other factors

■ new brands rose with a new, more social, sensibility, Everlane or Warby Parker

But something is missing here from this account. We are looking at a fundamental change in sensibility.

screen-shot-2016-09-15-11-10-57-amConsider the Ralph Lauren ad that Fast Company used to illustrate this essay.

Almost everything is now wrong with this image. But not one of these errors in the image is remarked upon.

Errors in the image: 

That this picture has a center to it.
(Younger consumers are social animals. They are networked creatures. They are distributed souls. Practically, for content creators, that means dump the “focus” and go for “foci.” See recent work by Fitbit and Android for the social “foci” view, and my thoughts here.)

That the center of the picture is a white male, apparently WASP and privileged.
(Do I really need to explain the rise of diversity and what it means to the models we want to see in our ads?)

That the male in question has a woman wrapped around his arm.
(This too should be unnecessary, but everyone is now a feminist. And this posture is absurdly subordinate and subordinating.)

That this woman has the strangest look on her face.
(It’s an expressive that appears to say, “This is all I want from life, to be by my man.” I mean, really.)

That there is a steely eyed friend.
(what is this guy dressed for? A trip to his place in the country, the ancestral home, all brick, beam and ‘old money made material’?)

That the surrounding group glows with youth, ethnic specificity, and privilege
(the first motive for luxury consumption used to be upward aspiration. A consumer culture fanned the hope that we too could rise in the world, into exalted social realms, away from the ordinary, “common,” “coarse,” “little” people. But this idea is now openly ridiculed.)

Attention, sellers! The single most important idea driving your market place is dying. This idea of status is dying. It is now a recipe for ridicule.

So let’s be clear. Yes, there are plenty of “internal” reasons why luxury brands are struggling. And thank you, Elizabeth, for discovering them. But there are external, cultural ones, as well.

These cultural changes are not recent. These have been in the works for several decades. And it is a perfect storm as we rethink our ideas of privilege, status admiration, upward aspiration, sexism, and the adoration of the wealth and privilege.

What to do? How could luxury brands have prepared themselves for this cultural disruption? At the risk of repeating myself, the single simplest strategy is to hire a Chief Culture Officer. For instructions, read this book ➼.

There’s a ton of talent out there. A few names come to mind. Tom LaForge, Barbara Lippert, Steffon Davis, Ana Domb, Philip McKenzie, Sam Ford, Joyce King Thomas, Michael Brooks, Jamie Gordon, Monica Ruffo, Rochelle Grayson, Kate Hammer, Drew Smith, Rob Fields, Parmesh Shashani, Shara Karasic, Ujwal Arkalgud, Tracey Follows, Eric Nehrlich, Bud Caddell, Barb Stark, Mark Boles, Mark Miller, Helen Walters.

(For a longer list, see this Pinterest page filled with candidates.}

If only Ralph Lauren had had anyone noted above as their Chief Culture Officer. How much share holder value would have been protected? How many careers saved? How much more fun would it have been to work at Ralph Lauren?

American capitalism has become a bit of a punching bag. There are so many cultural disruptions in play. A crisis now haunts CPG and Hollywood. So that’s three of the great workhorses of the American economy. And it’s at this point when we can see a crisis running right through our economy, touching things as diverse as luxury brands, CPG brands and Hollywood pictures, that’s it is time to rethink what we’re doing.

Take a smart person with good credentials, give them resources and give them power. It’s time to make our marketing, design thinking, branding, and innovation intelligence responsive to the simple truth that’s visible to most cultural creatives and virtually every Millennial. It’s time to make the organization as responsive to culture as it is to everything else in the near environment. All other options are stupid and embarrassing.

 

Ralph Lauren, the 80s called, they want their ad back

Here’s a recent ad for Ralph Lauren’s fragrance Polo.

It’s a cultural antique. This is what advertising used to look like when designed to flatter male egos and sell goods that were designed to flatter male egos in a cultural moment designed to flatter male egos. These days, its “Really? Get over yourself.”

Ralph Lauren has not been superbly in touch with the cultural moment. (Not since the 1980s when he helped define the cultural movement.) But this is really egregiously out of touch. I guess he doesn’t have a Chief Culture Officer.

What looks and feels more contemporary?  Have a look at this Fitbit ad.

The difference?

It’s not about one person.  It’s about lots and lots of people.

It’s not about young males. It’s about a variety of people.  Because some years ago, advertising and branding learned it had to let in everyone, not just the Young and Beautiful…and Male.  Who gets the credit here?  Sylvia Lagnado and Dove? Who else?

And it’s not about someone with that terrible look of self congratulation, that overweening red speedboat of an ego.

It’s not about speedboats but the diversity of ways people have found to entertain and exert themselves. This is plenitude in action.

Yes, this ad is an exercise in diversity because the Fitbit is designed to capture data generate by any activity. But notice the tone, the reckless, frenetic charm of this spot. It’s not about anyone’s ego. There are no beautiful people here. No celebrities. It’s a “Here Comes Everybody” exercise, to use Shirky’s phrase. There are a variety of deep cultural reasons why diversity is so important when crafting cultural meanings.

We are on the verge of a season that shows a relentless stream of James Bond movies, and with each season, Bond looks a little stranger, a man so besotted with himself that it’s hard to imagine rooting for him.  How do we identify with a monster of vanity? Those days have passed. This is where you are, Mr. Lauren, on the wrong side of history.

Tommy Hilfiger redeems himself (possibly)

I have always regarded Tommy Hilfiger as someone who helped himself to American culture without much reciprocating.

In fact, Tommy seemed thrice a shoplifter.  His look was a straight steal from the Preppie handbook, real and figurative.  More than that, it was a lift from Ralph Lauren. Finally, he dared himself to the Harvard H.

Tommy was, in short, completely derivative.  That’s the nicest thing you could say about him.

Recently, Hilfiger has been running an ad that does some interesting things for the Preppie look. It’s the "Feast Interruptus" spot now running.  Have a look and let me know what you think this piece does, or doesn’t do, for the Preppie look.  Perhaps Tommy has decided to make a contribution after all.

Hats off to the creative team (as nearly as I can identify them): Francis Lawrence (director), Karl Templer (fashioner), Trey Laird (creative director and CEO of the agency in charge, Laird + Partners).  

References

Roberts, Jonathan, Carol Wallace, Mason Wiley, Lisa Birnbach 1980. The Official Preppy Handbook. Workman Publishing.  

The ad in question: Feast Interruptus click here.