Last night walking in Atlanta I saw three muscle cars that were gray. Actually, I think one was a Jaguar doing an impersonation of a muscle car. Low, sleek and noisy.
So two muscles and a Jag.
I noticed because of the ad now circulating that shows a gray Mustang prowling urban streets.
It’s an effective piece of advertising. (The Ford triumph continues.) I found myself thinking,” this isn’t selling Mustangs, it’s selling grey Mustangs.” Dealers are going to be swamped by requests for “the grey one” and they will have to talk buyers into a red or a green. Good luck. This ad makes gray the necessary color.
But I had it wrong. This was a case of life imitating art. Team Detroit was drawing from existing practice, not creating it.
Which raises the question: when did gaey become the color of fast and powerful? The follow up question: why? What is it about gray that makes it the necessarily choice. What is there in the cultural significance of gray (past and present) that makes it the compelling choice?
Start your engines. This is an official Minerva contest. Usual terms apply. Fewer than 1000 words, crisp, high concept, well written. Guessing, especially really good guessing, is perfectly ok. But if you actually know something about car culture and color culture, please do share.
If you are on the creative team of the Mustang ad, I would like to put you on the judging panel. Would Team Detroit’s Toby Barlow, Eric McClellan, Adam Hull, Nick Flora, Ron Schlessinger, Arty Tan and/or Bob Rashid, please contact me at grant27ATgmail.com.
More details
The sound track comes from Band of Skulls. Please tell us what this music does for the ad.
The production players
PRODUCTION CREDITS:
Client: Ford Mustang
Title: _PG
Length: 60-seconds
Airdate: 4/28 TV; 4/30 cinemas
Agency: Team Detroit, Inc.
EVP, Chief Creative Officer: Toby Barlow
EVP, Group Creative Director: Eric McClellan
Creatives: Adam Hull, Nick Flora, Ron Schlessinger, Arty Tan
Producer: Bob Rashid
Production Company: Stardust / Santa Monica, CA
Director: Jake Banks
Executive Producer: Paul Abatemarco
Head of Production: Josh Libitsky
Line Producer: Paul Ure
Director of Photography: Max Malkin
Design & Animation Company: Stardust / Santa Monica, CA
Post / Editorial Producer: Alex More
Designers: Neil Tsai, Gretchen Nash, Bill Bak, Ling Feng, Juliette Park, Angela Ko
Compositors: Alan Latteri, Chris Howard
Animators: Jason Lowe, Giancarlo Rondani, Joseph Andrade, Kevin Ta, James Yi
Type/Element shoot: Stokes-Kohne Associates Inc.
Editorial Company: Cut + Run
Editor: Frank Effron
Post / Editorial Producer: Alex More
Telecine: New Hat
Colorist: Beau Leon
Music Search Company: Agoraphone
Music Supervisor: Dawn Sutter-Madell & Jasmine Flott
Song: Band of Skulls "Light Of The Morning"
Sound Design & Mix: 740 Sound Design
Executive Producer: Scott Ganary
Sound Designer : Andrew Tracy
Sound Designer : Eddie Kim
Mixer : Mike Franklin
Vehicle Drivers: Brent Fletcher, Kelly Hine
References
Wilkening, Matthew. 2010. 2011 Ford Mustang Commercial – What’s that song? AOL Radio Blog. May 10. here.
See the ad here.