Have a look.
You will see that I rush the conclusion. These are early days and at the moment we have little more than a suggestive trace of the new trend. Still, early notice has to start somewhere, as it were.
Here’s a paragraph from the post.
Why sweetness? Well, we are coming out of an era of some darkness. We seemed almost to celebrate skepticism and snark. We dwelt upon the grimmest aspects of the human experience. TV and movie making were increasingly ghoulish, with new standards of viscera and depravity. Shows like CSI and NCIS dwell lovingly on the crime victim. Bright lights and strategically placed towels protect our sexual sensitivities, but everything else on the autopsy table is enthusiastically examined. Once the standard bearer of heartlessness, The Silence of the Lambs (1991) now looks a little quaint. Since its release, we have seen a succession of werewolves, vampires, serial killers, and human monsters of every kind. If you are 40 or under, you’ve grown up on a steady diet of heartlessness.
This just in (Tuesday, February 26)
Steve Crandall had this excellent datum to add to the post. It turns out he recently had dinner with one of the writers for Big Bang Theory, who “said the show was designed to be “sweet’ … characters who might be considered intimidating due to their skill in math and science [were] brought down to human scale by being socially clueless and quite “sweet”.”
Thank you, Steve. (See Steve’s excellent blog here.)